Guest blog post from @ajenkins

A thoughtful post from @ajenkins that we're publishing to the Filminute blog.

I have been a big fan of Filminute since its inception. As a filmmaker and film lover, festivals have been my source for the new, the potentially overlooked and the thought provoking films. Festivals are especially critical for supporting documentaries and I count myself fortunate for the access to documentaries that festivals like Filminute provide.

I will never forget seeing the premiere of The Crying Game at TIFF and heard the air get sucked out of the theatre from the audience’s collective gasp when the film’s secret was revealed. It’s those unforgettable moments of surprise, joy, tears, anger and wonder that festivals are all about and Filminute has been able to provide those moments every year.

What’s more impressive is the power that the films are able to convey in just sixty seconds. Filminute illustrates how filmmakers can say so much with so little. It has been said that innovation comes from constraints. Filminute provides filmmakers constraints in spades and they respond with innovative stories, approaches and truly high calibre product.

Out of the twenty-five semi-finalists, the five films that really resonated with me this year in no particular order were:

5:27 - a juxtaposition of lots of activity with little movement

Choose Not To Fall - inspiration and overcoming fear through parkour

Dark Valley - adhering to Hitchcock’s mantra that what you don’t see is always scarier

Echoes - two periods in the same life connected through a mirror

Madam A. - sound and visuals married for powerful effect and a single object, a piece of barbed wire, telling so much without saying anything

I encourage you to take a few minutes, pardon the pun, and view the films. You will be provoked, touched and, most of all entertained.

Andrew Jenkins

Filmmaker in a previous life

Prize money versus prestige

This question comes up from time to time. : Why no prize money from Filminute? In 2005 when we came up with the idea, we focused our lean budgets on building a brand, and our goal was to build a presence as remarked upon as the Academy Awards, the business acumen of the Toronto International Film Festival, the splash of Cannes, and the indie spark of Sundance. I'd say we're part way there on some of these, and we'll not let up on pursuit of this vision as a driver of the festival.

Filminute then, without fail every year, gathers a respected and sharp jury that's arguably as good as any feature length-oriented film festival.

Finally, we do out best to build a massive, worldwide audience. Filminute's festival content reaches more audiences in more countries in one month than any major film festival (107 countries at last check-in, and on some years we've hit as many as 120).

If we did all this and offered a $500 prize, even a $5,000 prize, we'd lose the real filmmakers and end up w/ first year film students and junior league entries. We're just not keen on Amateur Night. That's not to say that students never make it through. You'll always hear Filminute say that a one-minute film "levels the playing field" — it's possible for a student or debutante creative producer to make the right film, the right way, and stand up to the pros.

Filminute set out to build the best brand in the world we possibly could, and increasingly we are attracting some standout filmmakers, artists, commercial directors, animators, writers, and so on. And it's quite satisfying to see all these people chatting each other up across multiple time zones on Filminute's Facebook page ;-)

That being said, if Filminute lands some windfall and musters up a million dollar prize, we'll bug you to submit a film same way we always do ;-)